It’s what you know that ain’t so: the high fantasy edition, volume 37

I can’t count how many volumes of high fantasy I’ve read that get categorized as inspired by medieval Western Europe. By this I mean I don’t feel like trying to estimate, because I have a spreadsheet that goes back over a decade and marks things by genre (“speculative,” though, rather than “high fantasy”–so it would be incredibly tedious). Point being: lots. Many to most of them pre-gun. Many to most of them featuring, at least peripherally, soldiers and armies.

Almost all of them have the soldiers in some kind of uniform.

If the soldiers are a major part of the narrative rather than “I passed a soldier in the street” (recognized by uniform), learning to march in step is almost always a part of the story.

And yet. Here’s the passage from Essays in Swedish History, specifically “The Military Revolution”:

The demand for unanimity and precision of movement led naturally to the innovation of marching in step, which appears at some date impossible to establish about the middle of the seventeenth century. And the principle of mass-subordination, of the solution of the individual will in the will of the commander, received a last reinforcement with the slow adoption of uniforms: ‘without uniforms,’ said Frederick the Great, ‘there can be no discipline.’ The process was already observable in the 1620s; but it was scarcely complete by the end of the century. The long delay is easily explained. As long as body-armour remained general, uniforms were scarcely practical; and even when armour was abandoned, the common use of the sword-resisting buff-coat prevented for a time a general change.

So…yeah. It’s not that movement in unison was unheard-of (if you have spears or pikes, you pretty much have to coordinate the movement–although in those cases shuffling together is sometimes as good as marching in step), and it’s not that nobody ever had clothes alike. But “this section of the army is so-and-so’s guard” is very different from “the entire army has a uniform.” If you look up “Flemish painting soldiers” or “Dutch painting soldiers” or either of those two ethnicities with “siege of” instead of “soldiers,” you will get paintings of people not dressed alike. Because they are off duty? Not in the sieges! No, because uniforms were not standard. Because an armband or something in your hat was what you had, more or less.

Here’s the thing: you can do this if you want, in your secondary world, even though it was not at all standard in this world in that period. You can do it no problem. “In my world they got there sooner, as a standard.” Fine. It’s one of the benefits of making it up. It’s a little dicey that so many people seem to want to. But you can jump on that bandwagon if you wish. Here’s the thing, though. Yesterday I read a blog post by Mark Lawrence in which he was talking about some of the questions he gets asked about why fantasy–his in specific–is “conservative” in some particular ways. And one of his answers–one of the standard answers–is that if the world is not focused on (in his example) a world with six suns or a complex symbiosis with aliens, putting those things in will bog down the book. And sure, yes. I get that. We end up talking about this when we talk about ways to draw on history, especially at Fourth Street–that of the cool ideas we discuss, it will be hard for any one book to take on all of them, because they will all take word count. It sounds like some of the questions Mark Lawrence is getting are pretty unreasonable, and I don’t mean to say that he does this specific thing–haven’t read his stuff.

But what I’m saying is: efficiency does not account for all of the conservatism of high/epic fantasy. sometimes the forms of “conservatism” that readers are noticing are historically inaccurate and bog down the book, and also are missing opportunities to be interesting. The books that I read that describe the soldiers’ uniforms, or describe soldiers learning to march in step: they are taking word count to make something simultaneously more generic and less historically accurate to the time period and general location that gets the credit for inspiring high/epic fantasy. It can be a phrase here and there, or it can be entire chapters. But in this case either historical inspiration or imagination would give you something more interesting than the blurred carbon copy of a misconception.

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