This is the latest in a recurring series! For more about the series, please read the original post on Marta Randall, or subsequent posts on Dorothy Heydt, Barbara Hambly, Jane Yolen, Suzy McKee Charnas, Sherwood Smith, Nisi Shawl, Pamela Dean,Gwyneth Jones , Caroline Stevermer, Patricia C. Wrede, Lois McMaster Bujold, and Nancy Kress.
I’ve been talking a lot about entropy in 2019, so I think it’s inevitable that I would turn to the works of Diane Duane. Duane has written a gigantic and varied body of work–for adults and young people, original and media tie-ins, short and long, fantasy and science fiction of countless sub-genres, for prose and film, traditionally published and fan-funded, ranging over forty years. Name it and Duane has probably done it. She’s worked alone and with others; she’s written with Star Trek properties and Tom Clancy and even secretly been a John M. Ford character. (What, you thought Princess Deedee was purely an invention of Mike’s?)
But in her longest and best-known series, the Young Wizards books, the antagonist is the Lone Power, which is Entropy. The Lone Power is the unraveler. And in a time when saving the whales was a cliche, Duane’s characters stood with the whales to help them save themselves. What does Diane Duane’s work mean to me. Friends, oh friends, this year, this horrible year, I am choking up trying to write this post about how lovely it is to have her here, still working side by side with us against the chaos of it all. Because we need this more than ever. We need the partnerships with other beings. We need to embrace other ways of thinking for what we all bring to the table. We need to keep turning over the assumption we made and letting it ramify. And that is what the Young Wizards books do and have always done, from the first time Nita and Kit went on errantry.
There are so many other things Duane’s work has done–not always what it seems from the cover, she has some of the most oddly composed covers I have ever dealt with as a reader–but here and now, in the entropic vortex that is 2019, I find myself more appreciative than ever of the quiet, firm fierceness of these books, and of their author.